Entre Marx y una mujer desnuda

1809-1810 Mientras llega el día

FILM SCORES

 

Entre Marx y una mujer desnuda (Between Marx and a Naked Woman)

(Film directed by Camilo Luzuriaga, 1995)

For violin, trumpet, bandoneon, cello, piano, double bass

Listen to love theme

 

1809-1810: Mientras llega el día

(Directed by Camilo Luzuriaga, 2004)

For violin, cello, vocals, organ

Trailer

 

ELECTRONIC MUSIC

 

Los ojos de mis sueños (The eyes of my dreams)

Tape. Commissioned by Gent Electronic Music Studio (CRM). 1984. 7 minutes

 

Apabatapabata

Tape. Composed at the CERM studios in the city of Metz, France. 1986. 12 minutes.

 

Pythagoras

Tape. Composed and performed at the electronic music studio of Manhattan School of Music Studio, New York. 1987. 5 minutes

 

Flauta y viento (Flute and Wind)

For flute and tape. Tape composed at the electronic music studio of Columbia University, New York. Premiered on April 16, 1992 at the Miller Theater, New York. 6 minutes

 

Samba

Tape. Composed at the electronic music studio of Columbia University, New York. Premiered on April 16, 1992 at the Miller Theater, New York. 6 minutes

 

Sarapangas como vos (Sarapangas like you)

For Otavalo flutes, percussion, synthesizer, and sound transformation in real time. Premiered at the College of Architects of Quito. Flutes: Diego Luzuriaga. Electronics: Diego Luzuriaga and Julio Bueno. Percussion: Ataulfo ​​Tobar, Edmundo Vizuete, Nelson Cadena. 6 minutes

 

Viento en el viento (Wind in the wind)

For two flute players (who play flute, piccolo, and alto flute), electronic transformation in real time, and percussion. 1994. Commissioned by the Ensemble InterContemporain and IRCAM in Paris. Premiered on December 2, 1994 at the Grand Salle of the Center George Pompidou, with Sophie Cherrier and Emmanuelle Ophèle, flutes; Dimitri Vassilakis, electronic keyboard; Cort Lippe, tech assistant. Included on the CD "Southern Cones", released by Leonardo Records, Cambridge, MA. 17 minutes.

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© 2020 by Ludoherty